Marble Our Lady of Perpetual with infant Jesus

This marble our lady of Perpetual Help with infant Jesus, finishing with intricate gold-leaf detailing on the crown, aureole, and mantle trim. A refined devotional piece for home shrines, chapels, and sacred gift-giving, with custom sizing available.
Item No: YRMM-022
Size: Height: 5.24 feet(62.9inch)
Material: High Quality Bronze and Marble
Price: $1,500-$3,000
Technique: Carving and Casting

Advantage:  Factory Direct, Door to Door Delivery

Service:  Custom Design Avaiable.

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This marble statue of Our Lady of Perpetual Help with the Infant Jesus is crafted from high-quality marble and hand-carved by seasoned artisans. It embodies Our Lady’s tender mercy, purity and maternal compassion.

Virgin Mary

The Virgin Mary stands in the timeless posture of the Perpetual Help icon — upright, composed, her Child resting securely in her left arm while her right hand reaches toward him in a gesture of tender guidance.

With calm and slightly inclined toward the Child, her expression carrying the icon’s traditional blend of quiet sorrow and steady compassion — she looks not away from suffering, but through it, toward hope.

A delicately sculpted gold crown rests on her veiled head, marking her queenship without overwhelming the serenity of her face.

Marble Our Lady of Perpetual with infant Jesus

Behind her head rises an ornate golden bronze halo, its surface carved with flowing scrollwork and flanked on either side by a pair of gilded wings — a nod to the two archangels who, in the original Byzantine icon, stand witness beside Our Lady of Perpetual Help.

Resting upon the Virgin Mary and the Infant Jesus, these bronze crowns represent Mary’s title as Queen of Heaven and manifest the Infant Jesus as King of the Universe and King of Kings.

And you may also see Archangel Michael and Archangel Gabriel are positioned on the left and right sides of the halo respectively, referencing the two archangels standing as witnesses beside Our Lady of Perpetual Help in the original Byzantine icon.

What’ more, her mantle falls in long, soft folds carved in smooth ivory marble, with every hem, cuff, and trailing edge outlined in hand-applied gold — a striking contrast that lets the gold read like painted highlights on carved stone.

The Infant Jesus

Cradled in Our Lady’s arm and crowned in his own smaller gold crown, the Infant Jesus holds his hands folded gently together in a gesture of blessing, his small robe trimmed to match his Mother’s gold-lined drapery.

The infant Jesus closeness to her — cheek near cheek, hand resting against her sleeve — completes the icon’s central message: even help that is “perpetual” is delivered through the ordinary closeness of a mother holding her child.

What’s more, we use pure white marble and gold leaf to create this Our Lady of Perpetual Help statue.

Marble Our Lady of Perpetual with infant Jesus

The effect is deliberately restrained: white recalls the purity and heavenly light long associated with Marian imagery, while gold — reserved only for the crown, halo, and hem — draws the eye precisely to the points of sacred significance.

This is devotional art rendered in luminous stone, designed to reward close and contemplative viewing.

The Deeper Meaning

The title “Our Lady of Perpetual Help” traces back to a centuries-old icon long venerated in Rome, believed to have traveled from the East and eventually entrusted to the Redemptorist order for safekeeping and public devotion.

Its enduring popularity rests on a simple promise embedded in the image itself: Mary’s help is not a single miracle granted once, but a perpetual — continuous, ongoing — presence for those who come to her in need.

This statue carries that same promise into ivory and gold. Her lowered gaze meets the viewer at eye level; her arm holding the Child never tires. It is an image meant less to be admired from a distance and more to be lived with daily — on a nightstand, a hallway table,  a chapel altar, or within Catholic churches and cathedrals.— where its quiet presence becomes part of the rhythm of prayer.

Art-Grade Craftsmanship 

We hand-carve this Mary statue from natural marble, preserving the delicate details of religious sculpture alongside the weight, texture, and permanence that only solid stone can provide.

The crown, halo and all trim lines are cast in copper and hand-gilded to deliver soft metallic warmth on every edge, different from dull flat printed finishes.

We achieve refined surface modeling with sharply carved drapery folds, distinct facial features and intricate scrollwork on the aureole, allowing the sculpture to maintain precise detailing even up close.

Marble Our Lady of Perpetual with infant JesusMarble Our Lady of Perpetual with infant Jesus

The marble is finished to a balanced ivory tone — a warm, subtly aged white reminiscent of classical statuary, highlighting natural veining and solid density exclusive to authentic stone.

Every statue can be delivered with an engraved nameplate marked “Our Lady of Perpetual Help”, making it a complete devotional artifact ready for immediate display upon unpacking.

Ideal Placement Scenarios

Home Altars & Prayer Corners — A nightstand, mantel, or dedicated prayer table, where her steady gaze becomes part of a daily devotional rhythm.

Chapel & Sacristy Niches — Small chapel interiors or sacristy alcoves, where the ivory-and-gold palette complements wood, stone, and candlelight without visual clutter.

Gift-Giving Occasions — First Communions, confirmations, weddings, and religious milestones, where a statue of this scale and finish makes a lasting sacramental keepsake.

Study, Office, or Reading Nook — A quiet reminder of intercession in spaces used for reflection, writing, or prayerful reading.

Bring the quiet, perpetual presence of Our Lady of Perpetual Help into your home or chapel — a hand-carved marble piece where ivory serenity and gold detail carry centuries of devotion in a single, lasting form.

Reach out to us at sales@you-fine.com and share your preferred size and display setting, and we’ll help you find the right piece.

Marble Carving Sculpture – Technique Process
1. Design & Planning

Based on religious themes or client requests, artists create sketches and drawings to define the pose, size, and details of the statue.

2. Selecting the Marble Block

High‑quality natural marble is chosen for its color, texture, and durability, ensuring it is suitable for indoor churches or outdoor use.

3. Rough Shaping

The marble block is cut to size and roughly shaped. Artisans remove excess stone with chisels and machines to form the basic outline.

4. Fine Carving

Using finer tools, sculptors carve facial expressions, hands, drapery, and religious symbols. This is the most skill‑intensive stage.

5. Smoothing & Polishing

The surface is smoothed with abrasives and polished to reveal the natural luster of the marble and a refined finish.

6. Quality Check & Protection

Each statue is carefully inspected. If needed, small corrections are made, and a protective treatment can be applied, especially for outdoor sculptures.

Bronze Sculpture – Technique Process
1. Design & Clay Model

The process begins with drawings and then a clay or wax model of the statue. This model shows all the details and is approved before casting.

2. Mold Making

From the clay model, a mold (usually silicone and plaster or fiberglass) is created. This mold captures all the fine details of the original model.

3. Wax Casting

Molten wax is poured into the mold to create a hollow wax replica of the sculpture. Artists refine the wax surface and add or adjust details.

4. Ceramic Shell (Lost‑Wax Process)

The wax sculpture is coated repeatedly with ceramic slurry and sand to build a hard shell. After drying, the wax is melted and drained out, leaving a hollow ceramic mold.

5. Bronze Pouring

Molten bronze is poured into the ceramic shell. Once the metal cools, the ceramic shell is broken away, revealing the raw bronze sculpture.

6. Welding & Chasing

If the sculpture is cast in several pieces, they are welded together. Artisans then grind, refine, and sharpen the details (a process called chasing).

7. Patina & Surface Treatment

Chemical patinas and heat are used to achieve the desired bronze color and tone. A protective wax or clear coating is applied to improve durability, especially outdoors.

8. Final Inspection

The finished bronze sculpture is inspected, cleaned, and prepared for packing and shipping to the client.

Packaging

>> The packaging is all made of a strong wood crate plus soft fixed.
>> The thickness of the packaged wood board is 3CM (other factories are 1-2CM, which is not strong)
>> The wooden crate is at least 15 cm above the ground, which makes loading more convenient.

Shipping

>> By sea(mainly), by train, by air could be selected according to the characteristics of the product and the requirements of customers.

>> Mainly ship to Xingang in Tianjin(mainly), Dalian, Qingdao, Shanghai, Xiamen, Or Customized.

Freight

>> The shipping cost depends on the total weight and the cube of the product being shipped.
>> Different destinations have different transportation times. Please inform us in advance of urgently needed products.
>> Please send us your destination, we quote directly from the shipping company.

Maintenance of Marble Sculptures:

Marble religious sculptures should be cleaned regularly with a soft cloth and mild, pH‑neutral soap diluted in water. Avoid acidic or abrasive cleaners, wire brushes, or high‑pressure washing, as these can scratch or weaken the stone. For outdoor statues, gently remove dust, bird droppings, and pollution stains, and check periodically for cracks or loose parts so any damage can be repaired in time.

Maintenance of Bronze Sculptures:

Bronze sculptures naturally develop a patina over time, which can help protect the metal. To maintain their appearance, clean the surface gently with a soft cloth or brush and mild soap, then rinse and dry completely. For outdoor bronze statues, a thin coat of clear wax can be applied and lightly polished once or twice a year to protect against moisture and corrosion. Avoid harsh chemicals and abrasive tools that may damage the patina or surface details.

shipping

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